Thursday, April 21, 2016

Albert





Albert Bresnik holding photograph he took of Amelia Earhart before her last flight


It was a typical day in Oshkosh, Wisconsin except for the fact it was the opening day of the 1992 EAA AirVenture.  That meant lots of airplanes and large crowds of people from all over the world. This was apparent as I entered the Press Headquarters early that morning.

I had just picked up my press schedule for the day when I noticed a gentleman, short in stature and dressed in typical Southwestern attire.  He stood out in his pastel blue jacket and trousers with an ornate silver and turquoise bolo tie. He wore his matching Stetson cowboy hat decorated with an EAA pin and other assorted memorabilia.  He was being jostled around by other members of the Press with their cumbersome photo bags and gear so I felt it best to offer him some support.  I said, "Hi, I am Don Winkler with the Midwest Flyer Magazine.  Can I help you locate someone?"  He said, "Thanks I am waiting for Paul Poberenzy". I started to tell him Paul was a pretty busy guy right now and then as I gazed away up at the walls, I saw several black and white mounted photographs of Amelia Earhart.  I said "Gosh, look at that, Amelia Earhart photos".  And then he said "Yes, those are mine and I have been asked to bring out the negatives I have stored in my safe ever since her disappearance and take them to the Smithsonian Museum.  My name is Albert Bresnik and I was her personal photographer."

Immediately I asked Albert to come with me and I drove him to the flight line and we went upstairs into the airshow headquarters.  We sat down in an office and I closed the door while he spoke to me for over an hour as I recorded every word of his conversation.

Albert proceeded to tell me about himself.  He was born February 3, 1914 in Milwaukee, Wisconsin. During the early '30's, Albert was shooting pictures for Columbia Studios in Hollywood, California as a press photographer.  Such notables as Al Jolson, Clarke Gable and others were his subjects.  He became a close friend of Gable and was deeply admired by him for his professional skills.  Albert said he had the ability to make people feel at ease as he photographed them.  This ability was the reason George P. Putnam, a well known publisher and Amelia's husband, asked Albert to be Amelia's personal photographer.  After working with Amelia and developing a trust, she mentioned she never had a brother and thought they should adopt each other.  Thereafter, she referred to him as her "little brother".

Albert had first seen Amelia flying while photographing the Powder Puff Derby Air Race. This was the first Women's Air Race held in 1929 and was named such by Will Rogers for it's participants.  Amelia had been taught to fly by Neta Snook, an accomplished pilot/flight instructor and one of the first women to challenge the male dominated aviation community.  Albert would photograph them and sell prints for 50 cents each.

After Albert had been photographing Amelia for awhile, he attended a meeting she was holding to inspire young women to become aviators and if not flying, to challenge themselves to accomplish other goals.  Looking around the room she suggested that they form an association.  She then asked how many were in attendance in the room and counted 99.  She said, "We will call ourselves the Ninety-Nines".  Albert recounts, "Later they decided to add me in and I am still the only male inducted."

As I write this story it makes me realize that there is more to it than just Amelia; there is the dedication to a far greater purpose, that of motivating women to pursue their dreams. Both Amelia and Albert dedicated their lives to this cause.  Albert conveyed that message through the images he took of Amelia as she accomplished so many achievements in aviation for female pilots.  Albert said that he and Gabrielle, his wife, felt the presence of Amelia in their home as well as throughout their daily lives after she was gone.  He told me his mission in life after her disappearance was to continue to convey her message as he did public speaking appearances.  They were collaborating on a book to be called "World Flight" documenting her historic flight circumnavigating the globe. 

Albert had planned to accompany Amelia and navigator, Harry Manning on the flight. After a ground looping accident in Hawaii and necessary modifications to the aircraft as a result of the accident, there was no longer room for Albert.  After Manning was called back for duty with the Navy, another change was made when Fred Noonan was substituted as the navigator.

Because of photojournalists like Albert and his historic images of flight, the public became more aware of opportunities for both men and women to pursue this vocation.  

Ironically, a more recent tribute to Amelia was the flight of Astronaut and Marine Lt. Col. Randy Bresnik, Albert's grandson, who took one of Amelia's favorite scarves inside the space ship Atlantis on the flight to the International Space Station.  

In essence and spirit, Amelia completed the last 7,000 miles of her trip around the World via the International Space Station.

If you are interested in seeing images of Amelia photographed by Albert Bresnik, the book The Sound of Wings: The Life of Amelia Earhart by Mary S. Lovell, features many of his photographs.


Wednesday, March 23, 2016

A Sentimental Journey

The  "Sentimental Journey," a WWII B-17G Flying Fortress, arrived for its fifth visit to Wisconsin Aviation-Madison on August 2, 2010.  Its first visit was during the period of September 4-11, 2001.  That was also the date of our first Hangar Dance, but more memorable, the fateful date of the terrorist attack on the Twin Towers in New York City.  Since then, it has been our desire to always request the B-17 as the significant prop for our annual WWII Hangar Dance.  This year, due to scheduling, the aircraft arrived two days after our 9th Hangar Dance.  Nonetheless, its arrival was greeted by members of the "Ladies Must Swing" dance orchestra, playing "Sentimental Journey" as it taxied up to the Madison's east-ramp hangar.

The "Sentimental Journey" rolled off the assembly line at Douglas Aircraft in late 1944 and served in the Pacific, but did not see military action.  After the war it was transferred to Eglin Field, Florida, to serve as an air-sea rescue aircraft.  Later, in 1959, it went to military storage at Davis-Monthan Air Force Base in Tucson, Arizona.  It was then sold to a California corporation for service as a borate bomber, flying thousands of sorties as a forest fire suppression fighter throughout the United States.  In January 1978, with the formation of the Arizona Wing of the Confederate Air Force (CAF), it was announced that B-17G #N9323Z had been donated to that organization.  It was subsequently disassembled and meticulously restored to its original WWII configuration.  In the process it needed a new top gun turret.  After months of searching, one was located on the top of a bar in Oregon.  The owner of the bar was contacted, and an offer was made to replace the top turret with a replica, identical to the one adorning the bar, in an exchange for the real one.  The deal was consummated, and that turret now garnishes the famed bomber.


The "Sentimental Journey" can be seen on static display from late fall to early spring each year at the CAF's (Commemorative Air Force-the word "Confederate” was changed to "Commemorative" in 2002) Arizona Wing Museum in Mesa, Arizona.




Tuesday, March 8, 2016

Not A Lemon But A Mellen

                     
In 1942, with enemy submarines taking a severe toll on ocean going ships Howard Hughes designed the 200 ton, 8 engine Hercules to serve as a transport plane to fly men and materials overseas. It would be the largest airplane built up to that time.  The War Department specified that he could not use any strategic material such as aluminum for his plane, so Hughes opted for birch-veneer plywood. The largest supplier of veneers for Hughes was Penokee Lumber and Veneer of Mellen, WI.  The predominately female workforce at Mellen produced 400,000 board feet of birch ply’s as thin as 1/10th to 1/85th of an inch that the Roddis Lumber and Veneer Company and other manufactures glued to basswood core to make plywood up to ¾ inches thick.  It took Hughes Aircraft more than 5 years to build the world’s largest airplane, which had a wing span longer than a football field, a fuselage longer than a hockey rink and stood over 7 stories high.  The Hercules made it's first and only flight in November 1947, and has remained aviation’s largest curiosity ever since.  An enterprising reporter nicknamed the Hercules “the Spruce Goose,” but even that is misnomer since the plane also contains significant amounts of Wisconsin white birch and basswood.  Hughes’ ill-fated plane was neither goose nor a lemon but a Mellen.

Articles on this subject by me in the following:
Forward in Flight
The History of Aviation in Wisconsin
Midwest Flyer Magazine, June 1984

Pictures:
Cover Midwest Flyer Magazine, June 1984
Spruce Goose Long Beach Harbor, November 2, 1947.


*Flight lasting one minute at an altitude of 70 feet